Lauren Kanarek is making headlines with her bold criticism of the upcoming Netflix documentary,“Untold: The Shooting at Hawthorne Hill.”The doc chronicles her harrowing experience of being shot by her former trainer, Olympic equestrian Michael Barisone, in 2019. In a scathing open letter, Kanarek accuses the film of distorting her story for sensationalism, saying she feels victimized multiple times: first as a shooting survivor, then by Barisone’s acquittal, and now by a media portrayal that misrepresents her truth.
Kanarek pointedly recalls the agony she endured following the shooting, including a medically induced coma and accusations that painted her as an instigator in the eyes of the public. It’s a powerful statement on how media narratives can overshadow the realities of trauma, wreaking havoc on perceptions. Barisone’s attorney disputes Kanarek’s claims, insisting that the jury’s decision was justified due to the evidence presented during the trial. As the documentary prepares for its April 21 premiere, questions linger about the responsibilities of filmmakers when telling real-life stories. What ethical lines should filmmakers be wary of crossing when it comes to representing victims?
About the Author
Local Lawton
Local Lawton is a contributor to LocalBeat, covering local news and community stories.